SUAL Archives | 2018
#Sonderfall 0,5 – Bei diesem Werk handelt es sich nicht um Musik — exhibition
#1-3: Elisabeth Flunger: songs | The musical marble run
#4: Bernhard Gál: This is for real
#5: noid: ensemble resonance
#6: noid: instant multidigmen
#7: Matija Schellander: The Drill
#8: Matija Schellander: ohne mich wäre alles noch viel schlimmer
#Sonderfall 0,5 – Bei diesem Werk handelt es sich nicht um Musik
Exhibition of musical works classified as “special cases” by Austria’s collecting society for authors, composers and music publishers (AKM), as well as related works.
Direction: Cordula Bösze and Arnold Haberl.
Presented composers and works:
Angélica Castelló Sonic Blue
Lukas Florian Number Crunching
Elisabeth Flunger BEI ZEITEN
Elisabeth Flunger FERRAGOSTO II
Elisabeth Flunger SONGS 1-6
Elisabeth Flunger the musical marble run
Bernhard Gál This is for real
Franz Hautzinger Gomberg Buch
Josef Klammer / Elfriede Jelinek Ikarus
noid echo chamber
noid edge
noid instant monodigmen
noid instant multidigmen
noid into the city
noid monodigmen
noid multidigmen vers. b 0.2: cellowork
noid remarks on the architecture of the ancients
noid ensemble resonance
noid seele / wiese
noid wann kommt musik?
Ulla Rauter Stillefänger
Daniel Riegler Käfig II
Daniel Riegler Rezitativ II
Daniel Riegler The John Cage Songbook
Matija Schellander Ohne mich wäre alles noch viel schlimmer
Matija Schellander The Drill
Elisabeth Schimana sitting in my chair
Hans Schneider musizier aktionen
Cordula Bösze
flutist, teacher and music-educator was born in Upper Austria; she studied Flute in Vienna with Wolfgang Schulz, is the founder of several music-ensembles an also active as an organizer of concerts. Cooperation with composers and improvising musicians as Klaus Hollinetz, Katharina Klement, Fritz Keil, Karlheinz Essl, Elisabeth Schimana and many others. Participation in ensembles and orchestras; performances at Festivals as wean hean, Konfrontationen Nickelsdorf, Kaleidophon Ulrichsberg, Artacts St. Johann, Viennale Ensembles: QuinTonic (woodwind-quintett), boesze:fuchs:noid (Wolfgang Fuchs – turntables, Noid – Cello, http://bfn.klingt.org), das boesze salonorchestra
Arnold Haberl
composer . performer . improviser | auricular . cello . electronic devices
noid /aka Arnold Haberl *1970, studied cello and mathematics. He is teaching at the Multimedia-Art department of the University for Applied Science in Salzburg. The composer, sound-artist, cello player and improvisor understands his work as fundamental research, leading to a wide range of contradictory outcome, spanning from cello-solo and tape-pieces to compositions for ensembles, improvisation scores or performances with electronic or hybrid instruments, from sound-installations to videos and imaginary music. Also his contributions as a programmer for the freeware ppooll can be seen in this context. The construction of new instruments is considered a process of composition. Coming from the practice of field recording, he considers sounds as facts. His lifetime occupation with the historical artefact also known as cello is never confined to the purely musical field. He is part of the organizing team of the monthly concert series der bloede dritte mittwoch and he is curating the soundart exhibition in Nickelsdorf in the frame of the konfrontationen festival. From 2007 to 2015 he was part of the organizing team of the reheat festival kleylehof13. Based in Vienna, he is a member of the klingt.org collective. He performs with individuals such as Angelica Castello, Klaus Filip, Ryu Hankil, Axel Doerner, Susanna Gartmayer, Christian Weber, Elisabeth Schimana, dieb13, Kazuhisa Uchihashi, Matija Schellander, Hans Koch and many more.
[info as of 12/2018]